I was just sitting there incredulous watching my life's work go down the drain."
I worked my whole fucking life for this and now everyone thinks I'm so stupid.
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In an interview with the British publication Crack Magazine, Grimes expressed her current conundrum: "Without me doing anything, just by random association with other people, I've watched my career and my reputation get totally fucking smashed. You might hate it when she talks, but she continues to make compelling art. And of the problematic faves on my Spotify, Grimes tops my playlist every time. Artists like Eilish and Lizzo are now entering a cultural climate that's grown (somewhat) more respectful of women, largely due to all the female musicians forced to be sacrificial lambs before them.
During an era that also saw artists like Taylor Swift come into their own as songwriters only to be rejected by a culture who grew weary of women making confessional art about their own experiences, it's arguable that these women walked so that the 18-year-old Billie Eilish, or the incredible Lizzo, could run in 2020. After being lauded as one of the most innovative musicians and producers of her generation in the early 2010s, how different is the world she's returned to than the one she shook up a decade ago?Īs an independent songwriter and producer, the 31-year-old Grimes built a formidable legacy making art in her own image: drawing her own cover art, directing and starring in her own acclaimed music videos, the curator of a unique crust-punk-meets- Sailor Moon aesthetic that made her into a fashion icon on Tumblr. She's become a millennial punching bag, living on the verge of cancellation, despite her indisputable talent as an innovator of pop. Today Grimes's career feels like the setup to a unfunny punchline in a Jimmy Fallon monologue. The indelible mark she made on the 2010s with her breakthrough fourth record Visions (the soundtrack for every cool girl with a synthesizer at a Montreal loft party, wearing a neon beret) and her 2015 follow-up Art Angels (the soundtrack of every cool girl with a synthesizer who has since moved to Los Angeles, wearing a pink cowboy hat) now feels like a cultural curiosity from a bygone era her promising career as a songwriter, producer, and a feminist icon (remember when she sold "pussy rings" as merchandise?) soon overshadowed by a high-profile relationship with Tesla CEO Elon Musk, the South African billionaire set to colonize Mars, now the father of her unborn child. Friday saw the release of Miss Anthropocene, the first record by Canadian pop artist Grimes in five years.
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